ed_rex: (Default)

The urge to pornography
Thoughts on violence and death in fiction

Pointed threats, they bluff with scorn
Suicide remarks are torn
From the fool’s gold mouthpiece the hollow horn
Plays wasted words, proves to warn
That he not busy being born is busy dying

Bob Dylan, It's Alright, Ma (I'm Only Bleeding)

Like rape, and threat of rape, as a plot device or character's motivation, I've (mostly — there are some brutally delightful exceptions) lost interest in death as a plot-device or, worse, as the solution to a story.

Physical violence has mostly been absent from my work, though not entirely; there's no denying that there is an inherent drama in a fistfight that doesn't exist in a conversation. Not all of us are Jane Austen, capable of keeping a plot moving through a dented feeling or raised eyebrow, so the temptation to stoop to violence and death is one almost impossible to always resist.

But is it really stooping? Always? '24. How willing are you to kill your characters if the plot so demands it? What's the most interesting way you've killed someone?' )

Click to see all the questions )

ed_rex: (Default)

More memeage.

Click to see all the questions )

5. By age, who is your youngest character? Oldest? How about "youngest" and "oldest" in terms of when you created them?

I know, I know, broken record. Not all of us write with the idea of serials in mind. That said, my own track-record includes a series of recurring characters; think (though it galls me to use such an eggregious example) of Salinger's Glass family.

With that in mind, the youngest character I've written is (here she comes again!) Ashera, whose birth I wrote as a flashback and part of whose childhood (roughly her 6th or 8th year; it varies with the draft. If ever I go back to it I'll decide how old she is for good) I chronicle in The Valley of Shabathawan. In fact, that novel was first intended to be about her, birth to young adult-hood, but another character elbowed the child aside and insisted the novel was about her. But more on Philomena Hawkins in Question 9, I think.

Oldest? That would either be Catherine from framing prologue and epilogues in a re-write of "The Question", which I talked about yesterday, or else Charles Sprelling, from a story I wrote in late 1983.

The former was an attempt to paint a portrait of a woman resting from her labours after a long life spent ensuring that her colony did not revert to a male-dominated tribalism or feudalism. I was trying (and, though perhaps somewhat lugubriously) to implicitly make it clear that having and raising children is not antithetical to feminism and personal liberty.

The latter was from a story called "Dominion", another of my early attempts at science fiction. (I'd forgotten that so much of my earliest stuff was SF, though considering my reading then, I shouldn't be surprised.)

In retrospect, the story clearly owes a great deal to Heinlein's "Requiem".

Charles Sprelling is a dying old man, the architect of a social Canada and its space program, who is dying of cancer and who manages to do himself in by stealing a space suit and floating off into the night.

I've just taken a look at it and find it frankly embarassing in its naive portrait of age, its baldly-written politics and info-dumped history, but I kind of admire my chutzpah in even trying such a story.

And I'm pretty sure, having now flipped through its brief pages again after many years, that it was written very much with Heinlein consciously in mind, both an argument and an homage, but certainly not a rip-off.

But it's certainly a story I have no desire to re-write.

January 2022

S M T W T F S
      1
2345 678
9101112131415
16171819202122
23242526272829
3031     

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags