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The urge to pornography
Thoughts on violence and death in fiction

Pointed threats, they bluff with scorn
Suicide remarks are torn
From the fool’s gold mouthpiece the hollow horn
Plays wasted words, proves to warn
That he not busy being born is busy dying

Bob Dylan, It's Alright, Ma (I'm Only Bleeding)

Like rape, and threat of rape, as a plot device or character's motivation, I've (mostly — there are some brutally delightful exceptions) lost interest in death as a plot-device or, worse, as the solution to a story.

Physical violence has mostly been absent from my work, though not entirely; there's no denying that there is an inherent drama in a fistfight that doesn't exist in a conversation. Not all of us are Jane Austen, capable of keeping a plot moving through a dented feeling or raised eyebrow, so the temptation to stoop to violence and death is one almost impossible to always resist.

But is it really stooping? Always? '24. How willing are you to kill your characters if the plot so demands it? What's the most interesting way you've killed someone?' )

Click to see all the questions )

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Young Geoffrey basks in Watts of praise

Accepts correction from a tabby
(and apologizes for the really second-rate word-play two lines up)

"I'm not generally given to flattery. That was just one damned eloquent piece of commentary." — Peter Watts, to me. (Yes, that Peter Watts.)

Yes, I feel flattered again and am struggling with the urge to tell him so. Probably best to keep silent, yes?

Meanwhile, the LJ blogger [personal profile] sabotabby answered the question I had about this meme's Question #20, "What are your favourite character interactions to write?"

I had blocked on what the question meant, wondering in essence whether it inquired as to whether I prefer to write sex scenes or fight scenes. [personal profile] sabotabby suggested, quite rightly I think,

I took it as meaning that sometimes characters are interesting in particular combinations. So I might prefer writing scenes where Aisha and Boris interact, because they have such a complicated relationship, over writing scenes where Clarissa and Darshika interact. Everyone else took it to mean "do you like writing fighting scenes or fucking scenes?"

So, and without further adoo and with no desire to be like 'everyone else', Young Geoffrey tries again. 'What are your favorite character interactions to write?' )

But I'll put it behind a cut anyway. )

Well. There wasn't a of wit in that dialogue, but I think it holds up pretty well anyway. And those are the kind of character interactions I enjoy writing. Interactions that hint at the nature of the characters, that suggest motivations and threats and emotions that may not be explicit, and dialogue that moves the story along and also makes me want to find out what happens next.

Even an hour a day would see me re-write this thing pretty quick, wouldn't it?

Click to see all the questions )

ed_rex: (Default)

Being Phil:
Second-banana takes centre-stage, won't let go

I've actually been kind of surprised it hasn't happened more often lately; I know damned well that my journal ain't what it used to be. Almost nothing personal, even less sexual and not even a whole lot of politics or Doctor Who to keep folks interested.

So I've been a little surprised that the numbers on my F-list haven't been dropping, much. (Of course, if LJ's stats are anything to go by, there aren't many people actually reading what I write here/there any more anyway. Between summer holidays, natural attrition as people's attention drifts elsewhere and reading filters, I suspect my LJ audience to be around a dozen or so, maybe less.

Which is fine — well, not fine; my ego would (naturally) prefer that readers were flocking to me like cats rushing to the sound of a can opener. But I know that what I do here is primarily intended for me, as an exercise in writing, as practice, as venting ... as a journal, in other words, though I seem to be evolving away from that model as well, towards something that is little more or less than a promotional tool for Edifice Rex Online in particular and for me in general.

Of course, having so few readers means I'm doing something pretty wrong on the self-promotion front, aren't I? Must ponder ...

Meanwhile, occasionally the attrition is active. Yesterday, LJ notified me that a long-time 'friend' had ended our relationship. Normally, that is something I merely note; it happens, after all. However, in this case, the de-friending was by someone I've hung out with a number of times; we weren't friends, but we had a relationship beyond pixels, even if we had not seen each other in a few years and if he seemed to have more or less disappeared from LJ for quite a long period of time.

Feelings hurt, I dropped him a terse note saying, in effect, so long and thanks for all the fish. He replied that it was nothing personal but that we hadn't hung out in a long time, etc.

All quite true, of course, but for the "nothing personal" bit. Of course it's personal when you decide you know longer want to know someone. And frankly, when someone decides that about me, especially if we've spent time in the flesh, I think the classy thing to do is to say goodbye, not just to hit a delete button.

And now, back to the meme. Young Geoffrey talks about his favourite angry young woman. )

Click to see all the questions )

January 2022

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