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(Young Geoffrey attended an orchestral concert;

Image: Philharmonim Mundi, May 18, 2013. Photo by the Phantom Photographer

(And you won't believe what he did there!)

So, I went Montreal the weekend before last. Yes, I drove, but for a change it wasn't work-related. Raven was my passenger, my sweety, instead of yet another flight crew.

We had gone to see a concert, the Philmarmonium Mundi de Montréal's spring production, held at the Salle de concert Oscar Peterson at Concordia University on the West Island of Montreal. The show featured work by Rimsky-Korsakov, Tchaikovsky and Sibelius, as well as a short, original composition by a local, Quebecois, composer.

I'm no connoisseur of classical music and I don't think I've been to a classical concert since my mother took my brother and I to see the Soviet Red Army Orchestra at the Sudbury Arena back when I was still in grade school. Yes, when I was in my teens and early 20s, I made some effort to enlighten myself. Beethoven's 9th Symphony was probably the gateway drug — what teenager could hear that fourth movement and not be transported by the sheer passion in the old maestro's notes? A little Ravel, some Tchaikovsky, and for a while I tried to convince myself that I heard something special in Glen Gould.

But the truth is, most of it went over my head or, at least, didn't much move me. And so I'm not going to start reviewing a classical concert now. I'll just say that, to my under-educated ear, Philharmonium Mundi sounded fine (and the young piano soloist, Jean-Michel Dubé, was a delight, clearly taking great joy in his craft).

But why, you might ask, did Raven and I journey to Montreal to take in a concert in the first place? And why a high-end amateur orchestra's concert?

Image: Marcel Chojnacki plays with Philharmonium Mundi, May 18, 2014. Photo by the Phantom Photographer.  
Marcel Chojnacki  

Plainly-put: family. My favourite uncle, one Marcel Chojnacki, has been a First Violinist with the orchestra for a couple or more years now and I've wanted to see him play for a while. This year, we had enough warning, time and cash on hand, so I booked a car and off we went.

Uncle Marcel is a remarkable man, frankly an inspiring figure, as well as someone I, as an adult, especially, have come to like an awful lot. A Holocaust survivor (see link above) who came to Canada in his mid-teens after the War, he danced with the National Ballet, was a high-school teacher and, now, still teaches ballet, practices Flamenco with a troupe and, yes, plays violin (an instrument he started playing in his 60s) with an orchestra. He is a husband and father and also paints, makes wine, bakes bread and is a consummate and generous host.

I could go on, and on, but this isn't supposed to be about Marcel, it's supposed to be about me, and how I embarrassed Raven at the concert itself.

The show started with Rimsky-Korsakov's Overture de la Grande Pâque Russe, continued with Tchaikovsky's Concerto pour piano No. 1 en si bémol mineu (yes, folks, everything was in French), the aforementioned piano solo by Dubé, and then Sibelius' Symphonie No. 1 en mi mineur.

 
 
Nothing to do with Tchaikovsky, but don't tell me Chuck Jones didn't know funny!
 

As I've said, everything seemed well-played to me, but the Rimsky-Korsakov and the Sibelius left me pretty un-moved; a fort-night after the fact, I can't say much at all about either. As I said, I'm no connoisseur. But the Tchaikovsky ...?

I dunno, maybe I'm a rube, or maybe I've just been ruined by Looney Tunes and Merry Melodies, the piano concerto delighted me! I didn't cry, but I surely did laugh (much to Raven's consternation). I tried to my chuckles quiet (and, I think, mostly succeeded), but chuckle I did.

That is a pretty damned playful piece of music, with arch piano runs chasing each other one way and then the other. No wonder they used them for cartoons! And I feel certain that Tchaikovsky himself meant them to share joy, to amuse. And maybe, to make people laugh.

I know it made me laugh, no at the music but (I think; I hope!) with it.

I dunno. What do you think? Am I a musical peasant, laughing at what I don't understand, or did I actually get the joke? Any aficionados (or otherwise) want to chime in and either correct me or join in with my boorish appreciation?

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Young Geoffrey expounds on the nature of seasons. Image by The Phantom Photographer, colour manipulation by yours truly.

Note to friends and relatives in Montreal: We had only a brief time in town and decided we wanted to spend it intensely with each other, without making a schedule or committing to travels. Selfish, perhaps (selfish certainly), but psychologically necessary for both of us. Please don't feel snubbed; we'll be back.

It's been some years since I've been to Montréal. Since then, I've paid lip-service to its beauty, but the truth is, in memory that beauty had faded to a dull, sepia-tinted and low-resolution photograph on newsprint, all colour and detail blurred to mere words of which repetition had made mostly meaningless.

This weekend past, saw me see Montréal anew, as I did my best to show Raven (who has been to the city before) my Montréal, to see the one she knows through hers and, especially, to discover with her a city new to us both.

I'm very happy to say that barely more than 48 hours, we managed surprising successes on all three fronts. And if the city decided to see us off with a snow storm that saw a two hour bus trip become nearly five, even that seems somehow appropriate.

Much more to read and lots of photos too, beneath the fake cut!

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Forewarning


(The following post is quite long, probably not very well-written, and almost certainly of very little interest to most of you. But I for some reason had to get it out of my system; previous attempts have been a good deal more ambitious, but that very ambition seemed to lead to pretentiousness and prose of the purplest hue. And so, you’ve been warned – mind you, I think some of the pictures are pretty nice.)

It may seem kind of insensitive to make my first post in weeks an item that has almost nothing to do with the latest "natural disaster" to entertain those of us enslaved to the silicon teat.

But what the hell. I don't know anyone in New Orleans, I've never visited the city, and like most of you, my interest is the morbid abstraction of a westerner who - on a gut level - still does not believe that IT CAN HAPPEN HERE.

Welcome to the 21st century, people. Whether or not the recent increase in number and severity of hurricanes has much or anything to do with "global warming", this is just a taste of things to come. While icecaps melt and the Dutch are getting nervous, and those of us with brains and means are moving to higher ground, we can at the same time enjoy the smaller, human, pleasures that life sometimes provides.

* * *


First of all, for those who are wondering, New York didn't happen (for which my anxieties are mostly thankful). Between Laura's lack of photo-idea, the very short time-line, and the fact the producers offered a contract that wanted exclusive control of all of Laura's images in perpetuity (an unenforceable clause, I suspect, but still ...), we decided this was an opportunity whose knock she could afford to ignore.

Her other new career is moving, though neither as quickly nor quite as lucratively as we had hoped. Our financial situation, in the short run, well, sucks. We're living on my credit cards for the next couple of weeks. The longer-term is looking better, though. I'm looking at a 15% raise on the first of October, retroactive to May 24, which chunk of money will go a good way to keeping the wolves from the door.

And despite the financial stressors, the weeks since my last past have been good ones. If you're interested, below the cut you'll find a travel report, a lot of photos and some soppy appreciation of some of my family. La Belle Province, Snuggling George W. Bush and More! )

January 2022

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